Don’t charge me with your rescue blues: a reflection on DRA’s Gold turning 15
Thanks to this Stereogum piece, I came across the below Instagram post by Ryan Adams, celebrating the 15th anniversary of Gold, which is my default DRA record to listen to, when I’m feeling like listening to some Ryan Adams. I’ve undoubtedly spent more time following and investing myself in his career than I have any other musician, artist, etc. With regularity, my friends and I will go back and forth on his records, shows we’ve seen, bandmates or arrangements that we liked/disliked.
“I’ve had a pretty hard life for such an easy heart.” – “Easy Harts” | Whiskeytown | Pneumonia, 2001
I spent a good chunk of my twenties trying to emulate who I thought he was through his songs: a lonely, albeit defiantly stubborn, person who never loses sight of the beauty around him, even when that beauty haunts him. It was easy to romanticize that kind of life, especially during years where I was living mostly alone, trying to establish myself as an adult and cope with the generally bare and indifferent fact that life is hard. I was in Chicago, a novice teacher, struggling to maneuver through a mean-ass city that showed me its best and worst everyday. I don’t know how often I showed those things back, but having his songs as a soundtrack to that life made me think that, for better or worse, maybe I was.
I’ve got a really good heart, I just cant’ catch a break / if I could, I’d treat you like you wanted me to, I promise
– “Two” | Ryan Adams | Easy Tiger, 2007
The line toward the end of his post is most captivating to me, because it’s a pretty good summation of the orientation, and really, relationship, I’ve had with his music: “We are all out here drifting on the sea of nothing with our flashlights and lighters waving. Let that light shine.”
Most of the time, I desperately want to disagree with that premise, though I can’t say how much fully I do. But I fully embrace his conclusion. And for as generally unremarkable as it might seem — it’s got to be more ethereal or even difficult than that, right? — it does seem as though I’m most alive when I feel free to share and give of myself; I feel that in other people to. And that is not such a bad thing.
Life’s gotten simple since
And it fluctuates so much
Happy, and sad, and back again
We’re not cryin’ out too much
– “Dear Chicago” | Ryan Adams | Demolition, 2002
Happy Anniversary, Gold.